SEROV'S BIOGRAPHY
(1865-1911)
One of the greatest Russian portrait
painters,
Serov was born on January 19, 1865, in the
family of the composer A.N.Serov, author of
the operas
Judith, Rogneda,
and the
Evil Power. As a young boy,
Serov might have met many luminaries of
Russian culture of the time -
Stasov, Repin,
Ghe, Antokolsky
- who visited his father. Unfortunately, when he was six, his father died, and
Serov
traveled with his widowed mother to Munich
and later to
Paris. In Paris,
he attracted Repin's attention and started
his art education under the master's tutelage. Impressed by the talent of the
boy, Repin advised him to return to
St.Petersburg and begin formal studies at
the Academy of Fine Arts under the famous art teacher
P.Chistiakov.
Savva Mamontov invited financially destitute
Serovs to live at his estate at
Abramtsevo. Serov
studied at the Academy from 1880 to 1885 and met
Mikhail Vrubel there; the painters even shared an atelier. Even
though the artist did not finish the Academy, he sufficiently perfected his
skills to begin independent work.
He became famous after exhibiting
Girl with Peaches (1887) and
Girl Lit by the Sun (1888), both considered to
be among the greatest masterpieces of the
Tretiyakov Gallery. The first canvas, a
portrait of Savva Mamontov's daughter,
Vera, brings to mind sunny and cheerful
portraits by Renoir, but is probably
more inspired by the colors of Repin's
paintings, particularly They Did not Expect Him. In its colors and juxtaposition
of light and shadow, the second canvas is also strongly influenced by
Repin's works. Initially a strong follower of the Wanderers and a
supporter of the idea of utilitarian purpose of art, in 1890s
Serov, following the example of his mentor,
Repin, disagreed with the Wanderers' "dictatorship" and imposition of
standards on the young artists and left the Society; instead, he became close to
the World of Art group, which allowed him to exhibit his paintings without
interruptions even though he never subscribed to all points of the group's
program. Popularity which Serov gained after
showing his first two acclaimed portraits made him an artist in great demand. He
painted almost 700 canvasses, including portraits of famous art maecenases,
artists, actors and actresses, writers and poets, composers and singers, and
politicians. Not surprisingly, the names of his sitters read as a who-is-who in
Russian culture and politics of the late
nineteenth and early twentieth century:
Savva Mamontov
(1890), Konstantin Korovin (1891),
Iliya Repin (1892),
Isaak Levitan (1893),
Nikolai Leskov (1894),
Nikolai Rimskii-Korsakov (1898),
Emperor Nicholas II
(1900), Konstantin Pobedonostsev (1902),
Anton Chekhov (1903),
Sergei Witte
(1904), Fiodor Shaliapin (1905),
Konstantin Balmont (1905),
Maksim Gorkii
(1905), M.I.Ermolova (1905),
Vasily Golitsyn (1906),
E.L.Nobel (1909), Ivan
Morozov (1910),
O.K.Orlova.